Issue 56 | Summer 2022
Preface: Sex.Money.Noise. | Shaul Setter
In the early 1970s the Italian poet, filmmaker and intellectual Pier Paolo Pasolini, whose artistic and public resonance was at its apex at the time,… Read more
Preface: Sex.Money.Noise. |
Formations of Noise: A Chapter in the History of the Self-Abnegating Studio |
The Neo-feudal Condition and Neoliberal Unconscious – The Impasse of Contemporary Critique of Capitalism |
The Myth of Singapore |
Scores for Social Acoustics in Jerusalem |
The Rise, Fall, and Re-birth of “The Personal is Political" or: What can the Feminization of Truth do? |
The Other Side of Political Correctness: A Psychoanalytic Perspective on the Master's Discourse |
The Mother-Daughter relationship and Cultural Transformation: A Multi-Dimensional Reading in the Irigarayan Text |
And the One Doesn't Stir without the Other |
And the One Doesn’t Stir until She is the Other |
How Will We Remember Our Forgottens? |
Sex and the Other – On the Mystery of Sex and the “Sexiness” of Mystery as a Political Factor |
What IS Sex? |
The Neo-feudal Condition and Neoliberal Unconscious – The Impasse of Contemporary Critique of Capitalism
Issue 56 | Summer 2022
The Rise, Fall, and Re-birth of “The Personal is Political" or: What can the Feminization of Truth do?
Issue 56 | Summer 2022
The Other Side of Political Correctness: A Psychoanalytic Perspective on the Master's Discourse
Issue 56 | Summer 2022
The Mother-Daughter relationship and Cultural Transformation: A Multi-Dimensional Reading in the Irigarayan Text
Issue 56 | Summer 2022
Sex and the Other – On the Mystery of Sex and the “Sexiness” of Mystery as a Political Factor
Issue 56 | Summer 2022